The main themes and main signifiers of cinematographical association of Diary of a Shinjuku Thief touches upon are the two interlinked dimensions of the sexual relationship that is impossible to write: aggression and sexual satisfaction. Looking back upon the event, the situation comes to be questioned if it happened at all. Directed by Nagisa Oshima • 1969 • Japan. Frequent collaborator with Koji Wakamatsu and member of the radical leftist Japanese Red Army. Shinjuku dorobô nikki (1969) AKA Diary of a Shinjuku Thief . With Tadanori Yokoo, Rie Yokoyama, Moichi Tanabe, Tetsu Takahashi. DIARY OF A SHINJUKU THIEF is a good example with hand-held camera shots that almost induce a headache in the Viewer, an overall experimental feel, and a disdain for the standard narrative in storytelling. Diary Of A Shinjuku Thief. A Korean man is sentenced to death by hanging, but he survives the execution. "[2] The film was described by Ronald Bergan, in his Guardian obituary of Oshima, as "an explosive agitprop movie equating sexual liberation with revolution, whose impact has cooled only marginally."[3]. 6.5. Today, Shinjuku of the 1960s tends to be nostalgically portrayed as an unfettered site of experimentation and freedom. 2.45 / 5 1 votes. A carefree afternoon at the beach turns into a comic misadventure when three young Japanese men are mistaken for illegal Korean residents. Diary of a Shinjuku Thief (1969) Diary of a Shinjuku Thief is a chaotic film that responds to the climate of social upheaval in Japan during the late 1960s. These films are Death by Hanging (1968), Diary of a Shinjuku Thief (1968), Boy (1969), The Man Who Left His Will on Film (1970), and Ceremonies (1971). Diary of a Shinjuku Thief Episode 3. Nagisa Ōshima's 1969 Diary of A Shinjuku Thief is very much in the same tradition, taking a particularly Japanese view of the intersection of youth politics and sexuality. Keep track of everything you watch; tell your friends. Film. A rare treat, but one that calls for an acquired taste to thoroughly enjoy. Diary of a Shinjuku Thief (新宿泥棒日記, Shinjuku Dorobō Nikki) is a 1968 Japanese New Wave film directed by Nagisa Ōshima. The ambiguous narrative centres on a man who steals from a bookstore in Shinjuku and the woman who catches him in the act. Then we're thrust into the narrative proper that deals with the titular bookstore thief Torio, cheekily nicknamed Birdtop (Tadanori Yokoo), as the camera follows behind him through the extremely packed Kino bookstore - where you can't help that people around just happen to gaze into the camera – until he gets nabbed by the eagle eyed salesgirl Umeko (Rie Yokoyama) for taking a book out without paying for it.In fact he does so twice, and besides to experience the high from pinching things, a challenge he throws to Umeko later on in the story, I suspect he does so because he's got quite the hots for Umeko, an attractive though complicated lady, that even the store manager probably sensed something brewing between them, and offering not to report Birdtop to the cops, but to gift him some books as well as cash for both Birdtop and Umeko to spend. View production, box office, & company info. That essentially launches them into having some time off if you will to visit everything else that Oshima's intended to put into his film, with 4 different writers that will inevitably lead to a kaleidoscope of ideas, bringing forth the massive melting pot of different folks with different strokes.Presented in sections split by intertitles that tell the time (worldwide to local, and other nuggets of trivia such as the weather condition at the time) the film is almost documentary in nature come this point, and interchanges between black and white and colour which I still have to figure out why, other than to not miss out in capturing the vibrant colours present in particular performances and scenes. As their encounters grow increasingly fraught with tension and desire, the two become lovers … Check out our editors' picks for the movies and shows we're excited about this month, like Mortal Kombat, "Them," and Stowaway. Diary of a Shinjuku Thief (Japanese Movie); 新宿泥棒日記; Diary of a Shinjuku Burglar;Shinjuku Dorobō Nikki; The film centers around Birdie, a young Japanese As their encounters grow increasingly fraught with tension and desire, the two become lovers and begin committing thefts together. This FAQ is empty. One of the draws to this film is because I'm curious to see how Shinjuku, the hotbed area in Tokyo where ail things youth and underground take place, looked like in the swinging 60s, having been there in two consecutive years already. (1969). Caught in the act by the salesgirl, the shoplifter is led through various adventures in Tokyo’s Shinjuku district and becomes the girl’s sexual partner and virtual slave. Want to share IMDb's rating on your own site? A young boy reluctantly aids his swindling father in a threatening scam. Diary of a Shinjuku Thief Time Out says. Get a sneak peek of the new version of this page. When a thief is caught stealing form a book shop by one of its employees, the two embark on … Diary of a Shinjuku Thief. Another point of interest is that “Diary” was written by the notorious Masao Adachi. 4 years ago. Diary of a Shinjuku Thief. It's like a musical of sorts at times when characters inexplicably appears and break out into music. When a thief is caught stealing form a book shop by one of its employees, the two embark on an unusual, erotic adventure. Two young women must come to terms with the fact that a man they're deeply linked to is a murdering rapist. Search for "Shinjuku dorobô nikki" on Amazon.com, Title: Both Death by Hanging and Diary of a Shinjuku Thief originate from the same event: the Komatsugawa High School Murders. The title character, played by Tadanori Yokoo, takes the first step on the road to ruin when he steals an inconsequential item from a bookstore. I was wondering which of the films will prove to be the one big alternative, experimental experience, and to my surprise it had to be Nagisa Oshima's Diary of a Shinjuku Thief. The other scene I thought I enjoyed until it proved to be outstaying its welcome involved Umeko walking by shelves of books, and quotes from the literary masters call out to her through voiceovers.The film ends with a montage of scenes involving some protests with the police out in force. In Diary, the reallife, avant-garde dramatist Jurō Kara and … A-Z list. The ambiguous narrative centres on a man who steals from a bookstore in Shinjuku and the woman who catches him in the act. [Japanese Film Festival] Diary of a Shinjuku Thief (Shinjuku Dorobo Nikki) ... and to my surprise it had to be Nagisa Oshima's Diary of a Shinjuku Thief. Click to Play. Diary of a Shinjuku Thief . What follows is a descent into lustful, reckless actions and regret. This is the story of a bookstore thief named Birdy, who is led through various adventures in Tokyo's Shinjuku district by salesgirl Umeko. Home » Comedy » Diary of a Shinjuku Thief. Director: Nagisa Ōshima. In Osaka's slum, capricious folks without futures engage in pilfering, assault and robbery, prostitution, and the trading of ID cards and blood. The film opens with a crazy introduction of a man forced by a group to strip down to his underwear (a rather flimsy one that barely protects his modesty), being accused of stealing some pipes, before the group start to cower when they see his tattoo. From Wings to Parasite, here's a look back at all of the Best Picture Oscar winners in the history of the ceremony. The best place to start – The Face of Another The striking works of Hiroshi Teshigahara present the perfect first stop, as they can usually be savoured on a purely aesthetic level, without deep awareness of cultural and political specificities. After Atsushi commits murder, he is blackmailed into keeping a suitcase full of embezzled money. 6 of 9 people found this review helpful. As the festival director Gavin Liu had explained in the pre-screening introduction, this is a rare screening of the film, and the owner of Kinokuniya bookstores is actually the man playing the Kinokuniya store manager in the film, as are many of the performers playing themselves, being non-actors going their own real thing as captured on celluloid.It's a treat all right, but I suppose it's an acquired taste that I still haven't cultivated. Tomas. Two interwoven stories. Story of a bookstore thief named Birdey who is led through various adventures in Tokyo's Shinjuku district by salesgirl Umeko. The ambiguous narrative centres on a man who calls himself Birdie (played by artist Tadanori Yokoo) who steals from a Kinokuniya bookstore in Shinjuku. : 28).In 1967, a year before Oshima made A Diary of Shinjuku Thief, Jokyo Gekijo took a decisive step and as a result, it was able to attract a serious attention, when they started to perform in a red tent, in search of a proper way of producing their work. The film centers around Birdie, a young Japanese book thief who is caught by a store clerk named Umeko. “Diary of a Shinjuku Thief” is a film about disorder, about the nature of inhibitions and the utopia of freedom, privately and publicly. 1:28:17 Gods of the Plague Episode 4. In that respect this film will work relatively well in capturing things that will inevitably be lost as time goes by, and for the modern audience to experience what it was like then, especially those vaudeville theatre styled acts. Birdman Hilltop (Tadanori Yokoo) is a confused young man who only finds sexual excitement in shoplifting, especially getting caught in the act. The premise involves a young man who becomes sexually aroused by stealing. Upon receiving a shocking telegram from his cousin, a man recounts his early life, as a member of a broad family full of dark secrets that slowly reveal themselves through the clan ceremonies. There's a visit to a sexologist whose area of research may challenge Kinsey's, and a talking heads styled interview with a group that's focused predominantly on sex, where it gets expressed verbally, and later on, having numerous sex scenes which had to justify its R21 rating in Singapore.Like the earlier films, this one is also rich in music such as Juro Kara coming on at every opportunity with a guitar, though the tunes were not quite up my alley. You can help Wikipedia by expanding it. User reviews Read user reviews. Watch Trailer Episodes. Was this review helpful to you? This essay considers the growing importance of Shinjuku primarily through two films, which it frames as variants of the city symphony: Oshima Nagisa's Shinjuku Dorobo Nikki/Diary of a Shinjuku Thief (1969) and Matsumoto Toshio's Bara no Soretsu /Funeral Parade of Roses (1969). The opening scene of Diary takes place in precisely the same setting as the fūten are introduced in Funeral: Shinjuku Station's East Exit Plaza. You must be a registered user to use the IMDb rating plugin. Country: Japan. Directed by Nagisa Oshima • 1969 • Japan. With: Rie Yokoyama and Tadanori Yokoo. This article related to a Japanese film of the 1960s is a stub. Today's best video Diary of a Shinjuku Thief (新宿泥棒日記, Shinjuku Dorobō Nikki) is a 1968 Japanese New Wave film directed by Nagisa Ōshima.[1]. Direction: Nagisa Oshima. A metaphysical mystery involving a university student's camera getting stolen, and the thief then committing suicide. Diary of a Shinjuku Thief is paired here with Ummmi’s Desktop Treasure, a film which attempts to go beyond borders through mixing up personal areas of the Internet by bringing out online and analogue records, personal spaces lived in by the actor, old blogs and e-mail log in screens, and mixed video footages of various qualities. Story is about a Tokyo girl looking round Okinawa island for her long-lost brother and finding he is the tourist guide with whom she has had an affair. Story of a bookstore thief named Birdey who is led through various adventures in Tokyo's Shinjuku district by salesgirl Umeko. Diary of a Shinjuku Thief is a chaotic film that responds to the sexual revolution, radical student movements and social upheaval in Japan during the late 1960s. Details: 1968, Rest of the world, 94 mins. … Diary of a Shinjuku Thief Episode 3. One of Oshima's most teasing and provocative collages, inspired by the student riots of '68 and contemporary 'youth culture' generally. Diary of a Shinjuku Thief is a chaotic film that responds to the sexual revolution, radical student movements and social upheaval in Japan during the late 1960s. Play Trailer; Overview. 4.7 (3) The film centers around Birdie, a young Japanese book thief who is caught by a store clerk named Umeko. Synopsis. Use the HTML below. Posters and trailers for Diary described it simply: 'City of riots: Shinjuku'. The first is a biography of anarchist Sakae Osugi which follows his relationship with three women in the 1920s. Diary of a Shinjuku Thief (1969) 02/15/1969 (JP) Drama, Comedy 1h 36m User Score. https://en.wikipedia.org/w/index.php?title=Diary_of_a_Shinjuku_Thief&oldid=1015029058, Articles containing Japanese-language text, Articles with Japanese-language sources (ja), Creative Commons Attribution-ShareAlike License, This page was last edited on 30 March 2021, at 08:30. I suppose this would have echoed the feelings of those who did not agree with the film, some having to walk out before they get to the scene. The second centers around two 1960s' students researching Osugi's theories. Originally titled Shinjuku Dorobo Nikki, Diary of a Shinjuku Thief is director Nagisa Oshima's homage to controversial French author (and unregenerate thief) Jean Genet. Nagisa Ōshima. Birdey takes the first step on the road to ruin when he steals an inconsequential item from a bookstore. Shinjuku Thief was the alias of experimental electronic artist Darrin Verhagen, also the Melbourne, Australia-based founder of the Dorobo record label. Directed by: Nagisa Oshima. Add the first question. Roger Greenspun of The New York Times called most of the film dull "with an air of having been produced only for purposes of demonstration", concluding that "the result is a high-powered sterility in the midst of much energetic busyness. 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